Journal of the stylistic of Persian poem and prose
volume Number 16، number In Volume 5، August 2023 ، issue Number 87

A stylistic study of the educational-mystical Manzoome Rozeh al-Anvar Khajooye Kermani

Gholamhossein Khodayar , Ahmad Hasani Ranjbar (Author in Charge), Ashraf Shibani Aghdam

Abstract

BACKGROUND AND OBJECTIVES: Khajo-ye Kermani, one of the leading figures of Persian literature in the 8th century, followed Ganjavi"s method to compose poems such as "Rouzeh al-Anwar", "Goharnameh" and "Kamalnameh" in order to express his style in this way. His predecessors should convey their moral teachings to the audience with an orderly and pleasant expression. He has acted in two different ways in this field; In the sense that sometimes these teachings are presented directly from the poet"s own language and sometimes indirectly from the language of fictional characters. "Rouzeh al-Anwar" mystical, moral and social systems in the fast sea, based on the weight of military secrets and compiled in twenty articles, each of them is on a specific topic and is explained and confirmed with an anecdote.

METHODOLOGY: The present research was carried out in a descriptive-analytical manner using library resources.

FINDINGS: Khajo-ye Kermani, in the "Rouzeh al-Anwar" system, paid attention to the arrangement of words and bringing in new and new allusions and metaphors in the introduction and beginning of twenty articles, and the desire to be artistic in any possible way is evident in his work. In this poem, Khajo expands the stories that often do not exceed the limit of questions and answers by describing the states and moods of the characters, and narrates the conversation sometimes up to 49 verses. The attachment to the music of words and the harmony of words and the appropriateness of expressions is a significant and noticeable feature in this work of Khajo. As if the poet"s thought starts its movement from the music of words. Paying attention to the use of wise words and similes and the use of similes should be considered as one of the main features of this system. The findings of the research show that Nakhleband poets among the literary arrays in the domain of innovation tend more than anything to all kinds of puns, phonemes, repetitions, emphasis and contrast, and at the level of expressive arrays, simile and the metaphor of the expression have the highest frequency in his words.

CONCLUSION: The results of this research indicate that Khajo-ye Kermani in the "Rouzeh al-Anwar" system, by mixing social and moral themes with mystical concepts and teachings, gave a "mystical" color to his system and his characters. In these anecdotes, which are mostly from well-known Sufis such as Bayazid Bastami, Junaid Baghdadi and Abu Bakr Shebli, they are used as a tool to persuade the audience and the effect of these teachings on his soul and soul. Of course, it is also necessary to mention that in this poem, Khajo did not neglect his style of characterization of lyrical poems and characters like "Laili and Majnoon" also play a role in some of the stories of this poem among the main characters.

Keyword
stylistics , Khajo-ye Kermani , didactic systems , Rouzeh al-Anwar , moral teachings.

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